Wednesday, 19 August 2015

#PitchWars Mentee Profile...

Hello, my name is Erin. Long time lurker, first time (possible!) mentee!

(Okay, that's not actually true, because I just discovered and fell in love with this whole Pitch Wars idea. Which is awesomely cool, by the way! Someone needs to get Brenda Drake a cookie, stat!)

Oh, right, this is supposed to be about me... so, here goes:

I have a bachelor of applied science degree in Kinesiology, so of course, I work in finance. I know, it makes complete sense, doesn't it? Yeah, try explaining it to my mother! But what I really am, is a writer (bet you didn't see that coming, did ya?). I've been writing for as long as I can remember. For my tenth birthday I received a manual typewriter (yes, I am that old!)

Which kinda looked something like this... and may or may not still be somewhere in my parent's basement! I remember being so jealous because my mom had an electric typewriter, where you could go back and actually erase words. And by that I mean, it had a whiteout option that would work backwards, erasing one letter at a time. Did I mention it did this in reverse? Tres cool!


Anyway... I'm a huge geek (if you've clicked on any of my other blog posts you will see this in spades) who collects comic books and loves movies and TV. And when you combine the two... well, I'm in heaven!

I'm sorry, I think I might have drooled on myself a little!

But what you probably didn't know, is that like a superhero, I also have a secret identity! Okay, so it's really not all that secret, because I tell anyone who'll listen, but whatever. My other, other life is as a writer and editor for a very cool pop culture website (www.schmoesknow.com) where I put my love and knowledge of geek culture to good use on a daily basis. But the fun doesn't stop there! I also have been known to write an editorial or two, and am a huge advocate for Women In Film (both behind and in front of the camera!) If you want to know what all the fuss is about, I can help you with that:

Why Is Hollywood Such An Old Boys Club? Examining The Role Of Women In Film And The Old-School Traditions Of Hollywood.



Sadly, my blog and movie reviews have fallen by the wayside due to a full-time job, the website work and my current work in progress, but whatcha gonna do? Sometimes there's not enough hours in the day, or funds in your bank account, to do all the fun stuff you want to do.

And now that we've done the serious stuff, it's time for a little Firefly. Because, let's face it, when isn't it time for Firefly?

I think we should call it... your grave! Curse your sudden but inevitable betrayal!

Oh, did I mention that I'm a hopeless romantic? Because I am! Totally, unabashedly, 100% in love with a happily ever after. Hence, why I write it. You know how they say "those who can't do, teach"? Yeah, well, apparently those who can't do romance, write about it.



Sad, but true. But the characters in my head keep me entertained, and mostly out of trouble.


My favorite authors include:

Sherrilyn Kenyon, Gena Showalter (I know you see a pattern developing here, but I promise, I'm trying really hard to read outside of genre!), Ben Galley (see, I told you!) and George R.R. Martin.


As to why you should pick me? Well, because you love my characters as much as I do and want to help get their story to the masses. Or, because you think I'm cool and would love to hang out with me digitally for two months. You know, whichever works for you! 




Thursday, 11 June 2015

Good Vibrations All Around! My Review Of LOVE & MERCY...

Going in to Love & Mercy, I admit that I knew very little about Brian Wilson. A founding member of the Beach Boys, I knew that he suffered from a mental illness and was the father of Wendy and Carney Wilson, of Wilson Phillips fame, who just happened to be one of my favorite bands as a teenager. That was it. That was the extent of my knowledge on this musical legend.

Holy crap, was I blown away by this film! I mean seriously, you have to check out this movie, if for nothing else than to get a sense of who Brian Wilson was and is. The film consists of two simultaneous stories, one taking place in the 1960's during the Beach Boys heyday and one taking place during a tumultuous time in his life during the 1980's.

Paul Dano is incredible as a young Brian Wilson. We're talking awards season calibre performance here, which I am scared is going to get lost in the shuffle as the year goes on. Not that Dano doesn't shine in everything he does, but here he really, truly does. His performance is understated and yet, at the same time, completely over the top, which I know doesn't make a lot of sense, but will once you see this film. He brings such heart to the character that you can't help but root for him, even when you know that maybe he's not on the right path.

John Cusack is just as fantastic as an older Brian Wilson, at the height of his struggle with mental illness. His performance is truly heart wrenching, in both its scope and subtlety. Another performance that I hope is going to be remembered come awards season, although again, I'm not holding my breath. Elizabeth Banks shines as Melinda Ledbetter, the woman who eventually saves Wilson and Paul Giamatti does what he does best as the creepy Dr. Eugene Landy. Seriously, the cast and their performances are amazing, and definitely worth the price of admission.

Overall the film is an interesting look at an interesting man and the trials and tribulations that make him who he is today. I recommend the film, not only for the unforgettable performance of Paul Dano, but also for the look into the psyche of a musical icon. I came out knowing a whole lot more about Brian Wilson and with a newfound respect for everything that he's accomplished in his life. He is someone who should be celebrated for his musical genius and the best way to do that is to go out and see this film.

Love & Mercy           4.75/5


I Spy Hilarity! My Review Of Paul Feig's SPY...

Say what you will, but when Melissa McCarthy teams up with Paul Feig, it’s comedy gold! For whatever reason, these two just get each other and it shows in everything they do together, usually bringing the laughs by the bucketful. And Spy is no exception.

What I liked about this film was both the chemistry of the cast and the fact that McCarthy isn't doing her regular old schtick. Sure, there are pratfalls and physical comedy throughout, but it’s different this time because McCarthy’s Susan Cooper isn't a one note character, bumbling through life and bordering on idiotic. She’s smart and capable and I really think that McCarthy shines when she’s playing these types of characters. (Those that are similar to the character she plays on Mike & Molly!). I hope she embraces these types of roles and just goes for it in the future. Not everyone of her characters needs to be a moron to be funny.

And seriously, Rose Byrne needs to do more comedy! Between this and last year’s hit, Neighbours, she more than proves that she’s not only sexy, but funny as hell. Of course, she also needs to play more bad guys because she’s just so good at it. Jude Law is great as the suave, but clueless James Bond knockoff, but was a bit underused in the film overall. Miranda Hart and Peter Serafinowicz are absolutely hilarious as a couple of CIA agents to round out the supporting cast. But let’s face it, Jason Statham absolutely steals the show in this one! His take on the macho, stereotypical secret agent is delightful and shows that the action star has great comedic timing, as well as no problem making fun of himself and the genre.

Overall, I had a great time with this film. I found myself laughing out loud on a number of occasions, and even if the plot was slightly generic, it was a great riff on the spy genre as a whole. I am actually going to say that I hope they make a sequel to this film, as I would love another opportunity to catch up with these characters and see what else they have in store for us. Another mission, anyone?


Spy      4/5 

Monday, 1 June 2015

What’s The Hawaiian Word For Disappointing? My Review Of Aloha…

Why, Cameron, why? That’s what continued to run through my brain as I exited the theatre this weekend after screening Cameron Crowe’s latest, Aloha. How could everything, that looked so amazing on paper, have gone so horribly, horribly wrong? But sadly, it did.

I really wanted to love this movie, because I love Cameron Crowe. I think that, for the most part, he’s an amazing filmmaker and I’m always interested in whatever he’s doing next. And yes, I am one of those people who really liked Elizabethtown and I will totally defend it against all of you naysayers! Was it perfect? No, but it was at least watchable, unlike his newest, Aloha.

This film suffers from an acute identity crisis. Is it a romantic comedy? A family drama? An international spy thriller? I honestly don’t think anyone, least of all Cameron Crowe, knows because this film tries to be all of these things and ends up a jumbled mess. The 3 story arcs that make up the plot of the film have absolutely nothing to do with one another, other than the fact that they are meant to show the growth of Bradley Cooper’s character, and honestly, by the time we get to the end, no one really cares.

Now, there are things to like about this film. First and foremost, the cast is amazing. It’s such a shame that they are utterly wasted in a forgettable film. Bradley Cooper has made a career playing the flawed hero and here, he doesn’t disappoint. While his character isn’t exceptionally well fleshed out, he brings enough to it that you kind of want to see him win. Emma Stone is fantastic, as always, as the neurotic, but likeable love interest. Her character would have benefited from a bit more fleshing out as well, although overall, this is a small quibble as she does get plenty of screen time. I think her character fell victim to a brutal final edit. Rachel McAdams shines in what little she is given, but honestly, John Krasinki steals the show in an understated and subtle, yet highly memorable performance.

Ultimately, this film just tries too hard, and ultimately crashes and burns. I think that if Crowe had eliminated one of the story arcs (those that have seen the film probably know which one I’m talking about) and focused on the other two, this would have been a pretty special film. There are touches of that Cameron Crowe brilliance, including the final scene of the film which is so stunning and heartfelt it will bring a tear to your eye, but overall it just doesn’t work. And I really, really, really wanted it to work. When the first thought out of your head is, I wonder what someone like David O. Russell could have done with this film, you know you’re in trouble.


Aloha              2/5 

The Future Isn't So Bright! Review: Tomorrowland

I hate it when one of my most anticipated films of the year ends up being a dud. And this year, that appears to be the case in a number of instances. I was excited for this film. I love Brad Bird and think that he’s an amazing filmmaker. I was looking forward to seeing what he had in store for us. I mean, the man turned down a Star Wars film to make Tomorrowland, so it had to be something special, right?

Yeah, not so much! That’s not to say that the film is bad, because it’s not. It’s just that it is not what I (or a number of others, I'm sure) thought it was going to be. The marketing for the film was interesting and promised something special. What we got was a pretty generic Disney film, through and through, fully aimed at a family/younger audience. And that’s not a bad thing… it was just completely unexpected.

Visually, the film is lovely. The actual shots of Tomorrowland itself were amazing, and I would expect nothing less from Bird. And the cast does a great job with what they are given. I had heard rumblings that many thought George Clooney was miscast, but I don't see it. I thought that he did a good job and his character had a nice little story arc that came full circle. Britt Robertson was pretty dynamic as the lead and I look forward to seeing what she has in store for us next. For me, however, the show was completely stolen by Raffey Cassidy. Her turn as Athena is fantastic and worth the price of admission alone. A bright spot in an otherwise uneven story.

Aside from the fact that it wasn't what I expected, the film suffers from a weak script, especially in the third act. A film that could have been revolutionary felt kind of generic, hitting all the same beats and tropes as any other family film. The villain was weak and the macguffin was so contrived it was almost laughable. Everything was set up so that it could all be explained in the allotted 2 hours, whether it truly made sense in the grand scheme of things or not.

Overall, the film was a letdown for me, mainly because I think I had such high expectations going in and I really wanted to love it. The probably 12 year old girls who were also in my screening, absolutely loved the film and couldn't stop gushing about it, so apparently I'm not the demographic. If Disney had marketed the film properly, as the family friendly film that it is, they might have seen a slightly better box office draw. As it is, the film will go down as a pretty big disappointment to many. At least this means that Brad Bird can turn his focus to things that matter, like The Incredibles 2.


Tomorrowland                        3/5

Monday, 25 May 2015

What A Lovely Day, Indeed! Review: Mad Max: Fury Road


Who would have thought that one of the most violent, yet visually stunning action films ever created would also have such an interesting, feminist voice?

I’m going to start off by saying that this review is going to be slightly spoilery. I am trying to make my reviews as spoiler free as possible, but with this film, it’s just not going to work. This film needs to be discussed… so, you've been warned! And really, if you haven't seen it yet, you absolutely should!

I will admit, going into this film, I really didn't know much about it. Sure, I had seen the trailers (which were amazing!), but honestly, they really weren't all that informative when it came to plot... and that’s okay. I don't need everything spelled out for me in a trailer. It has been years (decades?) since I've seen the original films, so I was unsure if that would make a difference or not. Believe me, it didn’t.

While his name is on the title card and Max is there physically, he takes a back seat the strong women in this film. And, I'm okay with that. Tom Hardy has a presence on screen that is undeniable, so his just being there adds so much, even though his character doesn't utter more than a handful of words throughout the entirety film. I am serious when I say that I would pay to watch Hardy read the phone book, because he is just so incredible. This is another multi-layered performance for Hardy, who is quickly becoming a chameleon, able to seamlessly become every character he portrays.

I really liked Nicholas Hoult’s turn as Nux, as well. I think that Hoult is a really good actor and I am glad that he is branching out and choosing roles that are interesting and innovative. Hoult brought a subtlety and vulnerability to a character that could have very easily been one-dimensional, and it was interesting to see his development over the course of the film. From bad guy zealot to sacrificing hero over the course of two hours is hard to pull off, but Hoult does it with such heart that it’s completely believable. 

But this film really is Charlize Theron’s. Rumors that Furiosa was the star of this film were absolutely true and she utterly shines. Her turn as this amazing character has us all clamouring for a film of her own and I wouldn't be surprised to see it happen. But she wasn't the only one to stand out in this film. The five wives, whose lives made up the main story arc of the plot, were all exceptional (as were the women from the Green Place). It's great to see strong women taking action and deciding to change the course of their lives. Far too often female characters spend their time needing to be rescued, especially in big action set pieces, so the change of pace feels revelatory… which it shouldn’t and is actually quite sad, but that’s a discussion for another day. In a film whose marketing campaign was all about carnage, it was surprising (in such a good way!) to see the main plot of the film revolve around women no longer content with being considered objects and actually doing something about it. Hopefully it will once again show the powers that be that, if done right, gender and age don't mean a thing when it comes to audience engagement. (I'm not holding my breath, however!)
        
Of course, no discussion of this film would be complete without discussing the visuals. Miller and his team went above and beyond when it came to this film, and it shows. His reliance on practical effects and stunts place this film head and shoulders above the rest. It’s visually stunning and mind blowingly over the top and probably one of the best action movies ever made. Note to everyone out there; this is how you do an action movie! (Are you listening Michael Bay?) Through the mayhem and carnage, I was never at a loss as to what was going on, nor was I ever confuse as to what I was looking at or how it happened. The chaos was orchestrated like a beautiful symphony, right down the crescendo at the end. It was visceral, dark and glorious. Kudos to George Miller for bringing his vision to life and for not letting it get hijacked and turned into what the studio wanted it to be.  

I highly recommend that you check it out, preferably on the big screen, where you can bask in its awesomeness. I cannot wait to check out both the black and white and silent cuts of the film that are rumoured to be on the Blu-Ray release, later this year. What a lovely day!


Mad Max: Fury Road                         4.75/5  

Friday, 22 May 2015

Better Late Than Never! My Review Of The Avengers: Age Of Ultron...

So, this review is going to contain spoilers for Age Of Ultron. I figure, if you haven't seen the film by now, you probably aren't going to, and if you're still reading, then you don’t care if you're spoiled. Either way, you have been warned…

I think that, going in, everyone’s expectations for The Avengers: Age Of Ultron were sky-high. The first film was amazing in both its scope and execution. The result of careful planning and a making sure all of the pieces were exactly where they needed to be. Sure, the idea looked great on paper, but how would it work in the real world? Just getting it to the screen was a feat in and of itself. The fact that the movie was great was just icing on the cake. But how was the studio going to top it?

According to a lot of people, they couldn't and frankly, didn’t. But I really do think that’s an unfair assessment. I get the idea that you need to compare it to something, especially since it’s the second film in a franchise, but I don't think it’s fair to compare it to the original. As I stated, the original was special, for many reasons, the main one being that it was the first of its kind. Never before had a franchise brought together and used its various characters in such a way. Ultimately, it was a fan boy’s wet dream. The Avengers, together, on the screen, at the same time. The problem is, by the time that AoU was released, it had become old hat. There was no shock and awe at seeing Thor and Captain America working together to defeat evil. No deep seated need to watch Tony Stark and Bruce Banner brainstorm. Been there, done that, got the t-shirt.

Ultimately, I think that a lot of folks got caught up in the comparisons, and found AoU lacking. Is it because it’s not as good? Possibly, although I would beg to differ. I think that most of it stems from the fact that people have placed the first Avengers film on a pedestal and are using its heightened esteem as an excuse. Don't get me wrong, I absolutely love The Avengers. I just don't think it’s the perfect movie that others are making it out to be, all in an attempt to pull down the Age Of Ultron. I also think that many people are looking for any excuse to bring the juggernaut down, so they latched on to the ‘flaws’ of the film and ran with it, head first.

While I don't think that the film is perfect, I will absolutely admit to loving it. I have seen it twice now and actually found I enjoyed even more the second time. One of the more vocal issues that folks had with the film was the pacing. I didn't have a problem with it, with the exception of the whole Thor storyline. I thought that his part of the story, which was necessary in order to move the overall story arcs for Ragnarok and The Infinity War forward, was rushed and choppy and really didn’t make a whole lot of sense. I think that even five more minutes and a little exposition would have gone a long way in making it fit into the story a little more seamlessly. (Rumor has it that originally it was supposed to be Tom Hiddleston’s Loki in Thor’s dreamlike sequence, which I think would have had a lot more impact, especially since Thor thinks his brother is dead). Let’s hope that the rumors of an extended cut on Blu-Ray come to fruition and these scene makes more sense within the scope of the film.

The other issue that folks seemed to have with the film was Ultron himself. Many have complained that he wasn't menacing enough, or that he was too comical. And I get that. (Marvel has always struggled with their villains and I've even wrote an article at my other ‘job’ about it, which you can check out here!) Ultimately, he wasn't what I expected either, but I'm okay with that, because he was still amazing, as was James Spader’s portrayal of him. I think one of the things that people failed to understand is that he is nothing more than a petulant child. Out to prove that he is better than and at the same time, nothing like his ‘father,’ Tony Stark. They also didn't seem to get his motivations. (Really, she asked, incredulously? Why wouldn't a trip through the interwebz lead to the decision that we all need to be exterminated? Have you seen some of the stuff that’s out there?) Again, we're not dealing with a fully formed being here. Add to that the fact that he’s immature, volatile and extremely powerful and the Ultron we saw on the screen is the perfect interpretation of the character. Although Vision actually uses the phrase he was born yesterday in the film, most people seem to forget that Ultron really isn't that much older.

What I did love about the film was the character development of characters that, until now, haven't had the opportunity to shine. I thought the whole Hawkeye story was lovely. I loved the fact that he had this secret life, including a pregnant wife and kids, which no one, with the exception of Natasha, was privy to. The idea brought the character to life for me and I couldn't be happier that Marvel decided to go this way. One of the things that fascinated me in the first film was the dynamic between Natasha and Clint. One of my favorite scenes is the one after Natasha performs her 'cognitive recalibration' on him and they briefly hint at their pasts and relationship. It always made me curious, and itching for an origin story for the two of them. Now, more than ever, I would love to see that happen.  

Of course, I can't discuss the film without discussing the newcomers. I think that Elizabeth Olsen and Aaron Taylor-Johnson did a fantastic job of bringing The Scarlet Witch and Quicksilver to life. (Yes, I do think that Quicksilver in DOFP was amazing, but again, I don't think it’s fair to compare as the character was used in two completely different ways in each of the films!) Unfortunately, I had Quicksilver’s death spoiled for me (that’s what I get for reading comments!) so it was slightly less shocking, but nonetheless impactful. In a world where we were all convinced Hawkeye was going to die, it was surprising to see someone else sacrifice themselves for him, especially given everything that was at stake. While there have been rumblings that Marvel doesn't have to keep him dead, I think they will, if only because his death makes The Scarlet Witch a more interesting character. And then, there was Vision… What can I say other than what an amazing introduction of such an iconic character. Paul Bettany’s portrayal was spot on and I cannot wait to see more from him. My big fear, however, is that Thanos is going to be forced to rip the mind gem out of his head in order to complete his matching set, which would absolutely not be good! Of course, the Mad Titan with a full set of gems in the Infinity Gauntlet isn't good either… and I can't wait to see how it all plays out on screen.

A lot of folks really didn't like the Bruce Banner-Natasha Romanoff relationship and found it forced. Personally, it didn't feel forced to me and I understand Natasha's reasons for find Bruce attractive. Everything in her life has been aggressive and violent, so why wouldn't she seek out the one man who wants nothing more than calm and serene in his life? And no, I have no issue with Betty, because it was pretty obvious at the end of The Incredible Hulk that their relationship was over. And don't get me started on the whole 'monster' controversy! She called herself a monster because she's a trained assassin with red in her ledger, people, not because she couldn't have children. Get your heads out of your asses and think, please! 

Also on first viewing, I didn't think there was enough conflict between Tony and Steve leading up to next year's Civil War, something that I was really looking forward to, but I've changed my mind. The fight they have just before Vision is brought to life is pretty knock-down-drag-out. There is definitely something there, no matter how chummy they seemed at the end and I can't wait to see how it all plays out. Yes, I get how some people think it’s hard to care about the stakes, when you know what the plan is for the next 5 years. To them I say, does the end game really matter? Isn't it the journey that’s the exciting part? Just sit back and enjoy the ride. Marvel has now proved, with the death of Quicksilver, that they have no problem changing the game when they need to and I have no doubt they will, provided that it serves the overall story.

Overall, I really liked this film. I think that, with the exception of a few minor issues, it accomplished what it set out to do. It was bigger and bolder than the first, while still telling its own story. Mission accomplished. It moved the MCU forward without compromising (for the most part, anyway) the plot, but still managed to hint at enough to keep even the most casual fan interested. While I don't think that comic book movies need to be dumbed down or should just be considered popcorn flicks, I also don't think they need to explain all the mysteries of the universe, either. As long as a good time is had, that’s all that counts. And I definitely had a good time. (I am also counting down the days to the Blu-Ray release so that I can own it and watch it anytime I want!)


The Avengers: Age Of Ultron            4.5/5

Thursday, 21 May 2015

They're Back, Pitches! and So Am I! My Review Of PITCH PERFECT 2!

Yes, I know that it’s been a while. Almost a year in fact, since my last set of posts… and a lot has happened in the last year. I started writing for SchmoesKnow.com, which I love, but it has taken up a lot of my free time. (Please, stop by and check it out! Lots of great stuff over there, and some pretty fantastic people, to boot!) That, coupled with my full-time job and the novels that I am currently writing… well, something had to give. Unfortunately, it was my blog! But I’m back now, hoping to eke out some time to review the things that I love (or maybe don’t!) and talk about the news that interests me. Let’s see how long it lasts!

And now, as promised, on to the good stuff…

Back in 2012, I went into my screening of Pitch Perfect expecting nothing but fluff. And that’s okay, because sometimes, fluff is good… and in this case, great. The film was charming and funny and full of heart. And it surprised a lot of people. The film made $115 million at the box office, on a $17 million budget, prompting Universal Pictures to greenlight a sequel. But could the sequel hit all the same notes?

The short answer is, no. While I enjoyed the film, I felt that it was somehow missing that something special that captivated me about the first one. (Now, I will full admit that it may be because I had high expectations for this film). The studio brought back the original cast of the film to reprise their roles, while adding Hailee Steinfeld and a criminally underused Katey Sagal to the mix (I mean, seriously, have you heard the woman sing? She’s incredible!), but were still unable to capture that same magic. The music is fantastic, however, and it’s really worth the price of admission to see the cameo by the Green Bay Packers. Very amusing!

The best character in the film is definitely Rebel Wilson’s Fat Amy. She’s a bonafide scene stealer, and I couldn’t stop laughing during one particular scene where her character gets to do a hilarious solo. She’s got impeccable comic timing and I for one miss her short lived show, Super Fun Night. Yes, I realize that I am probably the only one, but oh, well! I enjoyed the addition of Hailee Steinfeld’s Emily Junk and think that the studio made an excellent choice to continue the franchise. (Because yes, the studio will continue the franchise… the film has made $121 million dollars in the 5 days since its release). One of my favorite films of last year was Begin Again and Steinfeld was a big reason for that. I am excited to see what she brings to this franchise.

Overall, I had a good time with this film. I just think that, for me, it wasn’t able to live up to the awesomeness that was first film. That often happens with sequels. While I don’t think that this film suffered too much by sequelitis, it was a bit of a let-down none the less. A nice addition to the budding franchise, although if the studio chooses not to make another (like that’s going to happen!), I wouldn’t lose any sleep over it.


Pitch Perfect 2            3.5/5

Sunday, 6 July 2014

Why You SHOULD Be Watching The CW's Arrow...

With the traditional 2013-2014 TV season coming to an end (I'm still not on board with the whole new programming airing in the summer thing… although that’s not stopping me from watching FX’s The Strain next month!), it’s the perfect time to do a little binge-watching, and get caught up on those shows that you've been putting off. Of course, you could also do things like go outside and enjoy the weather or spend time with family and friends and stuff, but, seriously, who wants to do that? What you really need to be doing is catching up on The CW’s superb show, Arrow. (I'm looking at you Alex Welch and Mark Reilly!)

Now, I am a self-proclaimed Marvel fan-girl, and I make no apologies for it. I've always been drawn towards Marvel properties and usually prefer them to DC. Does this mean that I think all DC properties suck and they need to be wiped off the face of the Earth? Absolutely not! Good is good… and while I don’t cut DC/The WB a lot of slack when it comes to their movie universe, the one thing that they do extremely well is television. Both their live action and animated properties are fantastic. 

I will admit, I knew nothing about The Green Arrow before the pilot episode. What I did know, however, was that the show was based on a comic-book (which always peaks my interest) and that Stephen Amell looked pretty damn hot doing those salmon-ladder pull-ups, half naked, in the promos. How could I not watch?



Image courtesy of The CW


I'm sorry… What was I saying? I got a little distracted… hmmm, abs… Where was I again? Oh yeah… I think I remember now…

So, right from the get go, I admit, I was hooked. Having no previous knowledge of the character or his story, I found the pilot engaging and the characters extremely interesting. The episodes move swiftly along, never really stopping long enough to get bogged down by the sometimes serious subject matter. The overall story arc of the season is interspersed with stand-alone episodes, giving the heavy plot a much needed break. The show-runners do a fantastic job of seamlessly blending the current timeline with a set of flashbacks, meant to give insight and some exposition into Oliver Queen’s transformation into The Arrow. They also do a great job of preventing the story from becoming predictable. Often times, when you think they’re going to zig, they actually zag, completely throwing off the viewer’s perceptions. They also have no problem changing the game part way through or irrevocably altering the landscape. There are plenty of Easter eggs scattered throughout, as well, and many nods and introductions of other famous characters in the DC universe. You’ll actually be quite surprised by who shows up in Starling City. The action is top-notch, especially once you get to some of the later episodes in season two. The overall production value of the series is amazing, and I have to give props to The CW for allowing the show-runners to go for it. It is definitely paying off.

While I do love the show, there is one thing that I have a serious issue with. My main problem is with Katie Cassidy’s Laurel Lance. While Cassidy kicked ass as the original Ruby on The CW’s Supernatural, her Laurel Lance is a serious dud. It’s almost as if the writers had a plan for her but changed their minds part way through, and then just kind of let her character fall by the wayside. I know that in the comic books, Laurel is the Black Canary, and while I fear that that is the direction that the show is heading, I really hope that they change their minds. They have introduced other, more interesting characters into the mix and I would prefer that they explore those characters and their story arcs. But, this is really just a me thing, because I really think that, overall, this is a fantastic series.


It will definitely be interesting to see what happens with the addition of The Flash to this universe. Up until now, the series has been pretty reality based (well, as much as a TV series based on a comic book can be!), so the addition of people with “super-powers” is going to change things significantly, I think. If nothing else, it opens up the world to many other possibilities. I'm excited to see where they take us.  

Monday, 23 June 2014

Thanks For Nothing Alan Ball...

...And While We're At It, You Too, Charlaine Harris...

(Now, I am going to say this, because, unless it's not obvious to you, this is going to be a frank discussion of True Blood and The Southern Vampire Mystery novels by Charlaine Harris. Therefore, it will contain spoilers... you have been warned!)


With the final season of True Blood premiering this past weekend, I thought I would look back on the six seasons and 13 books that comprised the series.

I did not jump on the True Blood bandwagon back in 2008. I didn't get HBO at that time, and although I had heard about the series, I didn't think much of it. I kept hearing that the show was amazing, but I kept putting it off, really not all that interested. Finally, in the fall of 2009, just as I was about to go on vacation, I ran across Dead Until Dark, the first novel in the Southern Vampire Mystery series, which the show True Blood was based on. Thinking I had nothing to lose, I picked it up. I found the novel intriguing, as I don't read many books that are told in the first person narrative. The character of Sookie Stackhouse was interesting and the novel was an easy read. I found myself hooked.

Once I returned home, I dove into the world of True Blood, the series that Alan Ball had created for HBO. And I fully admit, that if I was basing my opinion on the pilot episode alone, I would never have watched another episode. The pilot was slow and messy and seemed to be based on nothing but shock value. I think that Ball liked the idea that he could do and say and show whatever he wanted, and the network wouldn't even bat an eyelash. But, I stuck with it, as I kept hearing how amazing it was. After about 3 or 4 episodes, it finally picked up enough steam that I was on board. And for the 12 episodes of the first season, it did a pretty good job of sticking close to the source material.

I continued to read the book series, as I watched season 2 of the show. And this is where everything seemed to go off the rails. Not only did the series veer so far away from the source material, but it seemed like the show runners and writers had never even read it. Turns out, they hadn't. Apparently, Charlaine Harris signed away all her rights to the property when she made the deal with Alan Ball and HBO, giving him free reign to do what he wanted with, not only the characters, but their story arcs as well. And boy did he! Turns out that Ball only ever read the first novel... saw the Bill Compton/Sookie Stackhouse relationship as a love for the ages and went for it. Needless to say, that is not how it happened in the books. In fact, Bill and Sookie's relationship pretty much ends in book two. Bill has vampire business that he needs to attend to, and basically up and leaves Bon Temps. And other than a couple of quick scenes in the other 12 books, that's it for the great love that was Sookie and Bill. The rest of the novels are in fact, about Sookie and her relationship with Eric Northman. It is the vampire Viking who is actually the love of her life, and the rest of the novels follow the ups and downs of loving the vampire sheriff of area five.    

Now, those of you who only follow the series knows that this ain't the way it is on the screen. Not only are Bill and Sookie the main love story of the series, but Ball and his team gave other supporting characters huge story lines and screen time. Now, that part I get, because it would be difficult to tell the story with just a handful of characters. A character like Lafayette, who is amazing on the show, didn't actually survive the second book in the series, Living Dead In Dallas. The main antagonist of season 2, maenad Maryann, was nothing more than a passing character in the novels. If I remember correctly, she didn't even have a name, was only known as the maenad. And don't get me started on the character of Alcide. While I hate the way that Harris eventually treated the character in the novels, I absolutely loathe the douche-bag that Alan Ball and his writers have turned the beautiful Joe Manganiello into. Needless to say, the two properties are very, very different.  

I understand that there is always a difference between what happens in the written form and what happens on either the big screen or the small screen. It's not possible to get everything that's written onto the screen, and usually not practical. But there's a difference between altering the source material to make it work visually, and throwing it away and doing whatever you want. And the team behind True Blood definitely did the latter. Other than the fact that the characters share the same names, there are no longer any similarities between the novels and the TV show. And that is too bad, because the overall story arc of the books was quite interesting... I would have liked to have seen that story actually played out on the small screen, other than the over the top, off the rails, what the hell was that?, that we got.

That doesn't mean that I am completely in love with the novels or the eventual story arc that Charlaine Harris had for the story. In the end, Eric chooses duty over Sookie and he leaves to marry another vampire that he is forced to, by the ruling vampire government. And Sookie ends up with Sam Merlotte. It's not the fact that she ends up with Sam that bothered me so much (I completely love Sam Trammell, who plays Merlotte on the show, and my dislike for the ending of the book series has nothing to do with him!), it's the fact that, throughout the entire series, Sookie and Sam were friends. Best friends, mind you, but nothing that would preclude them ending up in bed together, which was the final scene of the last novel, Dead Ever After. I don't understand what the point of building Sookie and Eric's relationship over the last 11 novels was about, only to have it end so abruptly and, for lack of a better term, just be over. Yeah, I get that things don't always work out, but that's usually not what I'm looking for in my literature. I fully admit to being a happily, ever after type of girl. To say that I was disappointed would be an understatement...

So, here we are, at the beginning of the end... and honestly, I'm not sure that I want to take those final steps. The series has turned into an absolute gong-show, and I don't know that I'm willing to put in the time and effort to see it through to the end. Sometimes, it's just too far gone to even care. I no longer get HBO, so I have to decide whether or not this whole thing is worth it to me to put in the extra effort to actually watch it. Knowing me, I'm sure I'll eventually cave and watch the damn thing. I am nothing if not a completest and hate not knowing things, when I know that others do. Now, I know that Alan Ball is no longer the show-runner and hasn't been since season 5, but his fingerprints are still all over this whole thing, so that's why I feel justified in blaming him for the train-wreck that True Blood has become.

So, thank you, Alan Ball, for introducing me to Alexander Skarsgard in all his Swedish glory, ALL of Joe Manganiello and Jace Everett, the singer of the opening theme song, Bad Things. You can keep everything else... I don't want it. 

Friday, 20 June 2014

Random Bits From The Week That Was...

It's that time again... Friday! So, you know what that means... my thoughts on the bits that I was too lazy to write about, or you know, didn't actually require a full post...

Couple of Surprises At The Weekend Box Office...

So, it turns out that people were really looking forward to 22 Jump Street. The sequel landed at the number one spot at the box office this past weekend, pulling in $57.1M. How To Train Your Dragon 2 debuted at number 2 with $49.5M. I found this a bit of a surprise, as family movies usually kill at the box office, and HTTYD2 is a spectacular film. I guess the bromance between Hill and Tatum was enough to draw the adults to the R-rated flick. Maleficent is holding strong in the number 3 spot with $18.5M, it's 3 week total now at $163M. Edge of Tomorrow, due to great word of mouth no doubt, was in the number 4 spot with $16.5M and The Fault In Our Stars sank like a stone to land in the number 5 spot with $14.8M, down about 70% from it's opening weekend. While I caught the film last weekend, and enjoyed it, I was the only one in the theatre on Sunday afternoon... literally. It was just me, all by my lonesome self, which was kind of weird, but whatever. I guess the films audience flocked to it in it's opening weekend, and without a great deal of re-watchability, the numbers definitely reflected that. It was also fantastic to see Edge of Tomorrow holding it's own in this busy summer season, as the film is fantastic. With not much competition opening this coming weekend, I am interested to see how the numbers for all of these films play out.


Final Trailer For Apes On Horses Debuts...

20th Century Fox has released what it is referring to as the final trailer for the upcoming Dawn of the Planet of The Apes, and holy crap, is it amazing. The trailer is a great mix of footage we've already seen, and a touch of new, just enough to offer the perfect amount of interest and excitement. I am so looking forward to this film, it's not even funny. The first one was so amazing, that if this one even comes close to being as good, we're in for a serious treat. I'll definitely be checking this one out on opening night.


Dr. Strange Finds It's Scribe...

Hot on the heels of the news that Scott Derrickson would be directing Marvel's Dr. Strange movie, the studio announced that Prometheus writer, John Spaihts is in talks to pen the script. While I admit, I have not seen Prometheus yet, so I therefore cannot have an opinion one way or another about that film, I do find this news very intriguing. By getting Derrickson and Spaihts to helm this project (if that's the way that this all eventually turns out, mind you), it appears that Marvel is interested in taking this project in a new, and exciting direction. Dr. Strange is a dark and twisted character, and it looks like Marvel is wanting to keep it that way. All I can say is, I'm in! In Feige, I trust.


Marvel Drops A Second International Trailer For Guardians...

The studio released a new, international trailer for Guardians of the Galaxy earlier this week and all I can say is, it's absolutely stunning. Going for a slightly more dramatic feel, this trailer shows off some of the depth that I think the movie will be bringing to the big screen when it's released in August. While I enjoyed the first two trailers, they were mostly focused on the comedic aspects of the film, which I think was a little off-putting to some people. This trailer shows that, like the other properties in the MCU, this one should also be a nice mix of comedy, action and drama. I am highly anticipating this film and cannot wait for it to be released in a few weeks.


And Then There Was Aquaman...

So, it is being reported by The Hollywood Reporter that Jason Momoa is confirmed as Aquaman for the upcoming Justice League film  Batman v Superman: Dawn of Justice film, slated for release on May 6, 2016. While Momoa wouldn't be my first choice for the normally blonde superhero, I understand Warner Brothers motivation. Aquaman has always been the Justice League character that has been ridiculed and scoffed at, so I understand the need to hire an imposing presence to play the character. And Momoa definitely fits the bill. While I'm still not completely sold on this film and what exactly it's going to be, I am intrigued to see the final product. One of two things is going to happen: either the film will be great, like the recently released Days of Future Past, or it will be a train-wreck of epic proportions like The Amazing Spiderman 2. I guess we'll see...


Next Bourne Film Pushed Back A Year...      

Universal has pushed it's next movie in the Bourne Franchise back to July 15, 2016 in order to make room for their upcoming N.W.A. biopic Straight Outta Compton, which is moving into the August 14, 2015 date. Rumours are swirling, however, that the studio has ulterior motives for the move. According to Latino-Review (via Schmoes Know), the real reason for the push-back is so that the studio can get Matt Damon back in the fold of the franchise. Damon has had a couple of so-so performances at the box office recently, and his return to the franchise might be what he needs to turn things around. I like this news, as I think that the Bourne Legacy did a great job of expanding the universe and it would be amazing to see Aaron Cross and Jason Bourne on the big screen together, kicking ass and taking names.


Don't Worry! The Batman Is, Apparently, On His Way...

When Nikki Finke's supposed scoop broke about the upcoming slate of DC films going to be released by Warner Brothers over the next few years, one of the things that stood out to me the most was the fact that there was no solo Batman flick listed. Fear not, fans of the Caped Crusader! According to Latino-Review (again, via Schmoes Know, because if you haven't guessed by now, that's where all of my movie news comes from!), Warner Brothers has slated a new Batman stand-alone film for release in 2019. As I speculated in my article about Finke's scoop, the delay is most likely due to Affleck's busy schedule. He is currently filming BvS, which will then lead into the Justice League film. That gives him late 2015/early 2016 to direct his next project, the gangster flick Live By Night, before he has to don the cape and cowl once again. It will be interesting to see if the WB hands the directorial reigns to him for the Batman project as well, although I would think it would be a no brainer on their part. You don't have a guy with Affleck's talents in your back pocket and not use him to his full potential. 

Thursday, 19 June 2014

Sorry, Big Guy! Why Another Standalone Hulk Film Won't Work...

So, Mark Ruffalo sent the interwebs into a tizzy earlier this week when he said that he would be interested in making another stand-alone Hulk movie. In an interview with Digital Spy (via Schmoes Know, because that's where I get all of my movie news), Ruffalo confirmed that Marvel is "entertaining the idea." He goes on to say that, prior to the Avengers, it wasn't even a consideration, but that since, it is a possibility.

Ruffalo was fantastic in his portrayal of Bruce Banner/The Hulk in the Avengers. Arguably one of the best parts of the film, his version of The Hulk was what we, as comic-book movie fans, had been waiting for. He managed to bring that perfect balance to the film, both as Bruce Banner and The Hulk. While I wouldn't necessarily be opposed to another stand-alone Hulk film, I completely understand Marvel's hesitation with the property.

So, let's see where we're at, shall we? First there was the The Incredible Hulk TV series that ran on CBS from 1978-1982. Starring Bill Bixby as Bruce Banner and Lou Ferrigno as the Hulk, it told the origin story of the character and showcased his race to find a cure for his affliction. The series ended with Banner still searching for a cure and running from Jack McGee, the reporter out to unmask his secret. A number of TV movies were made after the series run, culminating in 1990's Death of the Incredible Hulk, where Banner/the Hulk, did in fact die in the end. Generally thought of as a good depiction of the characters, it remains one of the best telling's of the Hulk's story arc.

For his next outing, we have 2003's Ang Lee directed, The Hulk. Starring Eric Bana as Bruce Banner, and for some unknown reason, Ang Lee as the motion-captured Hulk, the film was a disappointment for the studio. It's world-wide box office total was about $245M on a budget of $137M, making it just barely profitable. The reviews for the film were mixed, many citing the altered origin story, depressing story arc for the characters and poor CGI as the reasons for not enjoying the film. While I generally applaud studios for thinking outside the box when it comes to their properties, The Hulk went beyond that, right into off-the-rails territory. The addition of Banner's father and his mutated DNA and the fact that the angrier he got, the bigger the Hulk got were enough to turn even the most die-hard fan off. Which is too bad, because I thought that Eric Bana was the perfect choice for the mild mannered Bruce Banner. Overall, the movie was a huge disappointment to fans everywhere.

So, now it's 2008 and Marvel has begun to plant the seeds of it's cinematic universe with the release of the first Iron Man movie. Quietly on the heels of that release came The Incredible Hulk. Starring Edward Norton as Bruce Banner, this time Marvel skipped over the origins of the character, instead choosing to show how the Hulk came to be in a series of comic-book like panels at the beginning of the film and then jumping directly into the story. Officially considered canon in the MCU, this film had a more stream-lined feel to it, sticking with the more well known origins and motivations of the character. The film was a modest success, making slightly more at the box office than it's predecessor. Overall, I think this was a way better film, and Edward Norton was a competent Bruce Banner, although definitely not my first choice for the role. The villain of the film, The Abomination, was the perfect foe for our unorthodox hero and the fight scenes were out of this world. This film still didn't blow the masses away, however.

By the time that The Avengers rolled around in 2012, Norton had been given the boot, and Ruffalo had been hired to fill Banner's shoes. Playing both Banner and the motion-captured Hulk, Ruffalo stole the show. And that's when it started. Fans rumbling about a new stand-alone Hulk film, this time with Ruffalo at the forefront. Wouldn't it be great? He did such a fantastic job, he could do it again. The Hulk needs his own film... seemingly forgetting that the last two times the studio tried this, no one seemed to care.

There are a number of reasons why a stand-alone Hulk film doesn't work, no matter how hard the studio tries to make it happen. The first, and foremost, is the Hulk himself. When people go to see a superhero, or comic book based movie, if you will, they want to see the comic book character. That's difficult to do in a Hulk stand-alone, if you want to tell any sort of story that doesn't involve the Hulk doing nothing but smashing things for 2 hours. While Tony Stark is Iron Man, Peter Parker is Spiderman and Logan is The Wolverine, Bruce Banner is not the Hulk. They are two separate characters, with extremely different motivations. While they may share the same DNA, Banner has spent every waking moment of his life, since the accident, trying to eradicate the other part of himself. Shockingly enough, the Hulk doesn't want to be eradicated, which puts the two of them at odds with one another, right from the get go. Any significant character development or story arc has to be told from Banner's point of view, leading to more screen time for the man, and less screen time for the beast. While personally this doesn't bother me, I know there are a lot of people out there who would be, and have been, disappointed with that sort of story telling. There's a fine line between too much Banner and not enough Hulk and Marvel, so far hasn't been able to balance it for a full two hour movie. Now, it is possible for the studio to go in the complete opposite direction and do something like a Planet Hulk movie... which, don't get me wrong, would be all sorts of cool and wicked and awesome... but, I also think it might get old, pretty fast. While I like the Hulk character, there isn't a whole lot that can be done with him in regards to character development. And while I know a lot of people would love to see him smash aliens in a gladiator style smack-down, I don't think it would hold water for a full two hours. There has to be a little more substance to it for it to be placed in the same regard as the other films in the Marvel Cinematic Universe. They've raised the bar, and now, anything less will be considered a failure.

The reason that the Hulk worked, and worked so well, in the Avengers was because he wasn't the main protagonist. When he was on screen, they made the most of it, and that's why we fell in love with him. He was used in the best possible way, but the film wasn't centred around him. He wasn't forced to carry the storyline all the way through, and that's why it was refreshing and bold when he was on the screen. While I have no doubt that eventually we will see another Hulk stand-alone film, I can't see Marvel jumping on board any time soon. I don't think that a Hulk film fits in with their plans, just yet, but I'm sure eventually Bruce Banner will grace the silver screen once again. Let's hope they are able to balance the character's two persona's and that we get the Hulk film that the character deserves.      

Tuesday, 17 June 2014

Review: And The Stars Align...

The following is a review of the new movie, The Fault In Our Stars, and will contain spoilers. If you do not want to be spoiled, because you have neither read the book or seen the movie, then I suggest that you leave now and come back once you're done. If, you are one of those weird people that either like to be spoiled, or don't care either way, then please, read on....


**********SPOILER ALERT!!!!!**********


I will admit that I have not read the novel The Fault In Our Stars by John Green, so I went into the movie, completely oblivious to what awaited me. Okay, so not completely oblivious, as I don't live under a rock, but you get what I mean.

We meet Hazel Grace Lancaster as she's just about to attend a cancer support group. She has stage 4 thyroid cancer that has spread to her lungs, and requires that she carry an oxygen tank around with her. Her mom thinks she's depressed and is forcing Hazel to go to the group in a effort to get out and meet other people and share their experiences. At the group, she meets Augustus Waters, who has survived his bout with osteosarcoma, but lost part of his leg in the process. Gus invites Hazel back to his house, where they share their stories and promise to read each others favourite novels. Hazel's favourite book is An Imperial Affliction, written by Peter Van Houten. It tells the story of a young girl, Anna, who is stricken with cancer, and Hazel sees parallels in her life with that of the character. Augustus is frustrated by the novel, as it has an extremely cryptic ending (the novel actually ends in the middle of a sentence), so he tracks down Van Houten, who has become a recluse in Amsterdam, and begins a correspondence with him. Hazel writes the author to get him to explain to her what happened to the other characters in the novel after Anna died, but he explains that he can only tell her in person, so if she's ever in Amsterdam, she should stop by and chat. Unfortunately, due to financial restrictions Hazel and her family are unable to make the trip. Gus surprises Hazel with a trip to Amsterdam, funded by a make-a-wish foundation wish that he had yet to use. (Hazel had used hers when she was 13 on a trip to DisneyWorld). Before the trip, however, Hazel suffers a set back that hospitalizes her and her doctors advise against her going. Undaunted, her parents, knowing that she'll never get another chance, make arrangements for the trip to happen anyway. So Hazel, Gus and Hazel's mom, Frannie, pack up and head to Amsterdam. Gus and Hazel share a romantic dinner at an upscale restaurant, care of Peter Van Houten, where they taste champagne for the first time. Gus tells Hazel that he's in love with her, although she doesn't admit her feelings, still afraid of what's going to become of the people that are left behind after she dies. The next day, the two finally get an opportunity to meet the great Peter Van Houten. They are disappointed, however, when they discover that their idol is nothing more than a nasty, insulting drunk, who didn't actually want to meet them and who had no intention of discussing his book with them. It was his assistant, Lidewij, who had arranged the meeting, hoping that it would help Van Houten see the effect that his work had on people. They leave disgusted and disheartened, but are stopped by Lidewij, who apologizes and offers to take them on a tour of the city. The end up at the Anne Frank house, but unfortunately, it does not have an elevator. Hazel insists that she can do the stairs, even though her lungs are weak, and they continue. She struggles, but eventually makes it to the top floor. Hazel finally realizes that she is also in love with Augustus, and the two of them share their first romantic kiss. Gus takes her back to his hotel room and they make love. The next morning, Gus insists that they go for a walk alone, where he tells her that, just before she was admitted to the hospital, he had some pain in his hip. When they did a PET scan, they found that his cancer had spread and that he was terminal. Hazel refuses to give up on him, and they continue their relationship. Once they return home, Gus' health deteriorates rapidly. He holds a mock funeral for himself, wanting to hear what his best friend, Isaac, and Hazel plan to say in their eulogies at his funeral. Hazel's eulogy explains that there are many infinities and that although their time together was short, she would not trade it for anything, that Gus was the love of her life. He dies eight days later. At his actual funeral, she's surprised to see Peter Van Houten in attendance. When she gets up to speak, she doesn't use the eulogy that she had previously written, instead telling the mourners the general tropes that they want to hear. As she's leaving Van Houten gets in the car with her, admitting that he and Augustus continued to correspond with one another after their trip to Amsterdam. He also admits that the girl in his novel was based on his daughter, who died at a young age. He tries to answer the questions that Hazel had in regards to the characters in his story, but she will have none of it, insisting that he leave her alone. He hands her a note as he exits, but she crumples it up and tosses it on the floor of the car. Isaac comes to visit her later, and lets her know that Gus had asked Van Houten to help him write a eulogy for her. Realizing that that was what the note Van Houten tried to give her earlier was, she finds it and reads it. It was an e-mail that Gus had sent to Van Houten, explaining his acceptance of his fate and his love for Hazel. The movie concludes with Hazel accepting her own fate and appreciating what she has now and what she had with Augustus.

As you can imagine, this movie is pretty heart-wrenching. My thoughts going in were, okay, she has terminal cancer, so she's going to be the one to die. For Gus to be the one to actually die over the course of the film, kind of threw me for a loop. It was unexpected, which is never a bad thing in a movie. You want a movie to keep you on your toes, and this one did it beautifully.

What I appreciated about this story was the fact that it was an honest to goodness love story. No bells and whistles, or, these days, vampires and werewolves, to pull the plot along. It's about two people, facing unbelievable challenges who find each other and don't give up when life intervenes. It was funny and heart-breaking in it's honest portrayal of these characters and the trials that life had thrown at them. Shailene Woodley is a force to be reckoned with, as she brings an honesty and likeability to all the characters that she portrays. Her Hazel Grace is strong and resilient in the face of insurmountable adversity, but was also scared and vulnerable at the same time. The scene, just before Gus' mock funeral, where she's arguing with her parents is amazing. She's afraid what's going to become of them after she's gone but has never had the courage to say it out loud. When she finally tells them that she's afraid that they are going to give up and possibly kill themselves, you feel her fear. When her mom tells her that she's going to school to become a counsellor, so that she can help other families who are facing what they are, you can see the burden being lifted from Hazel's shoulders. It's a touching scene about facing the truth and being strong enough to talk about it and deal with it.

The pacing of the film is great, never getting bogged down by the heavy subject matter. Director Josh Boone does a great job of keeping the focus on Hazel and Augustus' relationship, and the film is beautifully shot, the location shots in Amsterdam particularly stunning. While the plot device may be serious, the movie has a light-hearted feel for the most part, as the focus is kept on the relationship and the characters, and not the cancer. Woodley and Elgort have an easy chemistry, making you believe that they are truly in love. It will be hard to go back to the Divergent trilogy and see them as brother and sister now, that's for sure.

While this movie definitely tugs at the heart-strings, possibly even breaking a few in the process, ultimately it's about more than that. It's a tale of two people who fall in love under less than ideal circumstances and use that love to become better people. People determined to leave this life having left their mark, even if it's just on the people who meant the most to them. It's a story that we can all learn from. Life is short, so we'd better make the most of the time that we have. Heartbreak is inevitable, unless you never put yourself out there. But where's the fun in that? Is it not truly better to have loved and lost, than to never have loved at all? I guess that's a choice we all have to eventually make for ourselves.

Monday, 16 June 2014

Review: Now That's The Mother Of Dragons....

The following is a spoiler review of the new film, How To Train Your Dragon 2. If you have yet to see the film, and are planning to (which I highly, highly recommend!), then you may want to stop reading this post. If, you have no intention of watching the film (shame on you!) or don't care if you're spoiled, then by all means, please continue...

**********SPOILER ALERT!!!!!**********


I will fully admit that I only just discovered the beauty of the first How To Train Your Dragon movie a couple of months ago. Based solely on the enthusiasm of Mark Reilly over at www.schmoesknow.com, I decided to check it out. Never knew what I was missing... and it was a lot! The movie has a great story, a hauntingly beautiful score and amazing visuals. It was love at first sight... or watch... or whatever you want to call it. I fell completely head over heels in love with the film. Just in time for the sequel...

It's been five years since the residents of Berk discovered that dragons were not the fearsome monsters that they thought. The dragons have become their companions, a part of their everyday lives... and that includes dragon racing. The villagers race upon the backs of their dragons, collecting sheep in a complicated points system. The one with the most points at the end of the race, wins. Stoick, Hiccup's father and the village chief, is disappointed to see that Hiccup and Toothless are nowhere to be found during the race. That's because, they are off exploring the world in a way that was never before possible, expanding the map that Hiccup has created, as they discover new lands and civilizations. Hiccup also practices his flying, having created his own set of wings. They crash land in an area that is unexplored, soon joined by Astrid, after she has won the dragon race back at Berk. In the distance they spot a plume of smoke and decide to go investigate. When they get closer, they find a village destroyed by large pieces of ice. Suddenly, they are trapped by dragon hunters, who are out looking for prey. Eret, their leader, lets it be known that Drago Bloodfist is amassing a dragon army and that he pays well for captured dragons. Hiccup and Astrid get free and return to Berk, trying to get Stoick and the other to help them find Drago so that they can reason with him. Stoick refuses, and instead orders Berk to be fortified for the coming attack. Hiccup, deciding that the only way to win is to convince Drago to give up his fight, flees Berk, quickly followed by Astrid, and promptly turns them in to Eret, in the hopes that he will take them to Drogo. Stoick, Gobber and the other follow them, and Stoick grudgingly admits that he has met Drago before, that he is fanatical and can't be reasoned with. He demands that they return home. Hiccup, still angry, flies off with Toothless, determined to end the conflict his way. Hiccup and Toothless, on their way to Drago, are kidnapped by the dragon-rider, Valka, who it turns out is Hiccup's mother. She also has the gift of dragon mastery, and tried 20 years before to get the residents of Berk to listen to her about the dragons. She was taken by the dragons when Hiccup was a baby, and decided that it was her responsibility to see that the dragons remained safe, choosing to not return to Berk. Instead, she lives at a dragon island, made of ice, that was created by the alpha dragon, known as a Bewilderbeast. All dragons answer to the alpha. Stoick and Gobber find Hiccup at the haven, where Stoick learns that the wife he thought was dead for 20 years, is actually alive. He and Valka share a moment and she decides to return to Berk and be with her human family. In the meantime, Astrid and the other riders kidnap Eret and force him to take them to Drago. They accidentally let it slip that Berk is full of Dragon riders and that they will never give up looking for them, so Drago should really let them go. Drago chooses to take the fight to them, and his army sets sail for the dragon island. They attack the dragons full force, forcing the alpha from inside the sanctuary. Drago then reveals that he has his own Bewilderbeast, who emerges from the depths, completely under his control. The two colossal beasts fight, and Drago's alpha wins the battle, killing the other alpha. All of the dragons come under the control of the new alpha, and by extension, Drago. To prove his new power, he takes control of Toothless, forcing the dragon to attack Hiccup. Just as he's about to hit Hiccup with a plasma blast, Stoick pushes his son out of the way and is killed by the dragon. Distraught, Hiccup lashes out at Toothless, who turns away and is taken by Drago. The Vikings send Stoick to Valhalla, and Hiccup realizes that with his dad's death, he is the new chief of Berk and is responsible for it's safety. Realizing that Drago will be headed to Berk to get the dragons that live there, he and the others fly the baby dragons home, as the babies are the only ones that aren't effected by the alpha's spell. When they arrive, they realize that they're too late, Drago and his army have already arrived and taken control of the dragons. Hiccup confronts Drago, who orders Toothless to kill him once again. Hiccup reaches out to Toothless, who is finally able to break the alpha's enchantment, reuniting with Hiccup. Drago then orders the Bewilderbeast to attack them, blasting them with ice and seemingly killing them. The ice begins to glow and then blows apart, as Toothless uses his new found plasma glow to rescue them. Toothless then challenges the alpha, firing plasma blasts at the large beast. As he is injured, the other dragons come back under their own control and side with Toothless and the humans. Defeated, the Bewilderbeast and Drago retreat to the ocean as the villagers celebrate their victory. The other dragons bow down to Toothless, their new alpha. Hiccup is officially made chief by the village elder, as they go about repairing the village and erecting a statue of the late Stoick. Others may have armies and soldiers, but Berk has dragons.

To say that I loved this film would be a complete understatement. This film is incredible. It is everything that you want your sequel to be. The story is interesting and engaging and visually the film is stunning. I am not a huge fan of 3D, but I completely recommend that you see this one in that format. The scenes where Hiccup and Toothless are flying through the clouds, over the ocean are spectacular. There is a gorgeous scene where Hiccup and his mother, Valka, go soaring through the air on their way to the feeding grounds, and it's breathtaking. The film is once again scored by John Powell, and just like the first time, he easily captures the beauty and elegance of the film with his score. The score is sweeping and epic in it's complexity and I also highly recommend that you check it out as well. The entire production is grand and stunning, full of heart and soul... everything that you hope for in a film.

I am excited to know that the production team has at least a trilogy in mind (word did leak last week that Dreamworks is thinking of adding a fourth film to the slate, so we'll see what happens with that, although I say go for it, especially if all of the films are as stunning as these first two), as I cannot wait to see what other adventures they have in store for us. While I really enjoyed The Lego movie, this film is now at the top of my list for best animated film of the year. Hell, I think it's actually in my top five movies overall for the year so far. The upcoming releases The Book of Life and Big Hero 6 have big shoes to fill, and I'm not sure they're going to be able to do it. I guess we'll see.    

Review: We've Gotta Go Back To School...

The following is a review of the new movie, 22 Jump Street, and it will contain spoilers. If you have not seen the film, but are planning on it, I recommend that you come back after you've watched the movie, if you want, to get my take on the sequel. If you don;t care, one way or another, then, please, continue...


**********SPOILER ALERT!!!!!**********


The film, 21 Jump Street caught me completely off guard. I had never watched the television show, although I knew the premise of it, and was not really all that interested in the movie. Sure, it had Channing Tatum in it, but that still wasn't enough to get me to see it. Then I kept hearing all these great things about it. Finally, I decided to check it out... and boy, was I glad I did. Not only was it hilarious, but the chemistry between Jonah Hill and Channing Tatum was out of this world. The movie made a bajillion dollars, so of course, a sequel was a no-brainer for the studio.

Fast forward a couple of years, and here we have 22 Jump Street. Directed by Phil Lord and Christopher Miller, the movie opens with a funny bit about a bust gone wrong, where Jenko and Schmidt accidentally let the bad guys escape. They get hauled into the Chief's office, where they try to explain what went wrong. Because it worked so well last time, the police chief puts Jenko (Channing Tatum) and Schmidt (Jonah Hill) back into the undercover program, now known as 22 Jump Street, because they were forced to move locations to across the street, when the Korean community bought back the church they were originally in. This sets off a hilarious running gag about the major increase in the budget, as their new offices are all state of the art and they actually have interns. Turns out that there's a new drug on the market, WHYPHY (Wi-fi... get it?) that's being distributed at the local college. The "McQuaid's" once again go under-cover, this time as college freshmen. Jenko is accepted right away, given his penchant for football and having a good time, whereas Schmidt has rougher go of fitting in this time. As they continue their investigation, cracks begin to show in their bond, as they are pulled in different directions. When Jenko's new BFF, Zook, is implicated as the drug dealer, it places even more tension between the partners. In the meantime, Schmidt meets the lovely Maya, who he then sleeps with. Maya has a weird, creepy roommate who constantly makes jokes about how old Schmidt is, while he continues to insist that he's a 19 year-old freshman. In another hilarious scene, Tatum takes the reigns and goes for it, when at the precinct it's revealed that Maya is actually Captain Dickson's daughter. The fall-out of this encounter also plays throughout the rest of the film. It leads to another intensely funny scene where Ice Cube goes crazy at brunch during parent's weekend at the college. Watching him destroy the buffet is awesome. Jenko and Schmidt eventually get a lead that brings them face to face once again with Ghost, the villain in the opening scene of the film who got away. Ghost manages to get away again. Traces of WHYPHY are found in the Psychology professors office, leading to his arrest as the drug supplier. In the meantime, Jenko confides in Schmidt that he's been offered a scholarship to play football, and that he is seriously thinking about doing it. Schmidt makes the decision for him, leaving the program and returning to the force, alone. Jenko tracks Schmidt down, who is back on patrol, and lets him know that WHYPHY is still circulating on campus. Schmidt tells him that he's been looking into the case too and that he figured out Ghost has been paying the tuition for someone at the school. The two decide that the supplier and dealers will target the kids during spring break, and head to Mexico to find them. They soon realize that Maya's weird roommate, Mercedes, is Ghost's daughter and is actually the drug supplier. Chaos ensues as they break into the room, guns blazing. Mercedes takes the captain hostage and is pursued by Schmidt, while Jenko follows after Ghost. Schmidt and Mercedes get into a very funny fist fight, before she's knocked out by Maya. Schmidt then goes to help Jenko, who is on the roof of the hotel with Ghost and his men. In an attempt to protect Jenko, Schmidt jumps in front of him as one of the bag guys fires off a shot, but he mis-times his jump and Jenko gets shot again. As Ghost is taking off in a helicopter, Jenko and Schmidt leap to grab it, and use the grenade that Schmidt has stored in his shorts to blow it up. As the crowd on the ground cheers, the partners realize that they make a good team and that they should stick together. As the credits roll, Dickson approaches them and tells them that he has another mission for them, this one in medical school.

I actually really liked this film. It was funny and well paced, and the chemistry between Hill and Tatum is spot on. I also liked the fact that this film knew what it was, and made the most of it. The cracks about this seeming familiar, the increased budget, doing the same thing over again, gave it a tongue-in-cheek kind of feel, that is welcome in a sequel. The problem with a lot of comedy sequels is that they just don't live up to the original. The jokes are never quite as funny or original and most of the time, it just feels like a rehash of the first one. While this one is exactly that, it knows that it is and doesn't shy away from the fact. It wears it proudly and practically screams it from the rooftops. It's approach is refreshing.

As I mentioned, the chemistry between Hill and Tatum is, once again, incredible. I remember reading an article about the first movie, where Jonah Hill called Channing Tatum and said, "I want you to be in this movie with me." Tatum then replied, "Why? I'm not funny." How glad are we, the movie fan, that Jonah Hill managed to talk him in to it? (Although, I would disagree with him, because he was hilarious in She's The Man with Amanda Bynes!) The two of them are like a comedy team, playing off one another is such a way that you actually believe in their bromance. While I'm sure, given the numbers that it's pulled in so far, another film, to make the franchise a trilogy, will soon be on it's way, I would actually like to see the actors tackle a different project together.

While this film is not perfect, it is good enough to say it's equal to it's predecessor. I wouldn't go as far as to say surpass, because I think that overall the first film was superior. This film had enough laughs in it that it's definitely worth the watch, although I could have done without the Rob Riggle/Dave Franco prison sex jokes. I enjoyed this film and would recommend it, although I wouldn't call it the comedy of the year just yet. I felt that Neighbors with Seth Rogen and Zac Efron was overall a funnier film, and the red band trailer for Sex Tape, with Jason Segel and Cameron Diaz, has now bumped that one up to my must watch list.       

Five Films You've Probably Never Seen...

...But Really Should! (I mean it! You really should check these out... They're awesome!)

The following is list of a few of my favourite, extremely under appreciated films. As the title states, I'm sure that you haven't seen most of, if any of them, although I do highly recommend them all. I will try to stay away from spoilers, as I really think you should check them out without being spoiled. Hopefully you'll be able to find them, somewhere...


The Nines

Released in 2007, the film stars Ryan Reynolds and Melissa McCarthy, although it's not a comedy. Considered part science fiction/fantasy, part psychological thriller and part drama, it was written and directed by John August. Separated into three different vignettes, it tells three very different stories all anchored by the number nine. Reynolds and McCarthy play various characters with differing relationships in each of the parts that all come together in the end. An interesting take on spirituality, this is one of the films that I knew nothing about going in, but was completely blown away by it.


Muriel's Wedding

Released in 1994, this film stars Toni Collette and Rachel Griffiths. An Australian film, it tells the story of Muriel Heslop and her journey to find herself. Through various means, some not entirely legal, Muriel discovers who she is, and more importantly, the person she wants to become. It's an uplifting, chick-flick, of epic proportions, but one that I think everyone will understand and enjoy. A coming of age story for those of
us who came into our own in the 90's.


Noises Off!

Released in 1992, the film was directed by Peter Bogdanovich. Based on the play of the same name, written by Michael Fran, it tells the story of the "play within a play" antics of a theatre troupe and it's long and painful road to Broadway. Starring Michael Cain, Carol Burnett, Marilu Henner, Christopher Reeve and John Ritter, it is probably the funniest film I have ever seen. The physical comedy is out of this world and you will find yourself laughing out loud at some of their antics. A must watch for anyone with a funny bone.


Waitress

Released in 2007, the film was written and directed by Adrienne Shelly. (Adrienne also has a supporting role in the film, which would be her final performance before she was murdered just three months before the film debuted). Starring Keri Russell, Nathan Fillion and Andy Griffith, it tells the story of Jenna, a waitress trapped in her current life, with dreams of a different future. This is another story of finding yourself and following your heart. Learning that it's never too late to turn things around and live the life that you want.  


Seeking A Friend For The End Of The World

Released in 2012, the film was written and directed by Lorene Scafaria. Starring Steve Carell and Keira Knightley, it tells the story of two people who come together for various reasons, just as the world in about to be destroyed. A story of missed opportunities, righting wrongs, hope, despair and love, it takes you on a roller coaster ride of emotion. A beautifully, touching story that I recommend to anyone who will listen.

Friday, 13 June 2014

Are We Headed For Superhero Over-Saturation?

So, an interesting tid-bit has emerged that involves DC and Warner Brothers and their plans to build their Cinematic Universe. The Schmoes Know broke the story yesterday, (which you can find here,) about The WB's upcoming slate of films and their potential release dates. Now, as the article states, this information hasn't been confirmed by anyone and should be taken with a grain of salt, as the source may be slightly questionable. Regardless, it makes for interesting speculation.

So, according to Nikki Finke, formerly of Deadline.com, at this years Comic-Con in San Diego, Warner Brothers and DC are set to announce the line-up of films that they have planned in regards to their Cinematic Universe. The list is as follows:

May 2016 - Batman v Superman
July 2016 - Shazam
December 2016 - Sandman
May 2017 - Justice League
July 2017 - Wonder Woman
December 2017 - Flash/Green Lantern Team Up
May 2018 - Man of Steel 2

All I can say is, holy ambitious, Batman!

First off, what strikes me about this list is the fact that DC and Warner Brothers look to be going balls to the wall in regards to this whole thing. For the foreseeable future, their plan is to release three movies a year. Apparently, they're hell-bent on making up for lost time. The report also goes on to state that the reason that BvS was pushed back a year was not, as speculated, because the WB wasn't ready to move forward with the film, but was in fact because they were still trying to get the members of the Justice League to sign on the bottom line. Apparently, the actors will be making cameo appearances in the films leading up to the big one and they wanted to make sure that everyone was on board. (I'm not exactly sure if Sandman fits into the DCU or not, as it doesn't seem like it would, but then, I don't really know a whole lot about the character and where he fits in the comic book universe, so I can't say for sure).

The second thing that stands out, is the inclusion of a Wonder Woman stand-alone film on this list. Rumour has always been that Warner Brothers was gun-shy in regards to a female-led superhero flick, even though that female superhero in question is iconic and extremely recognizable. I would love to see a Wonder Woman movie, and given how, recently, female-driven films seem to be killing it at the box office, I can understand the WB's about face in regards to this project. I still have my doubts about how well Gal Godot is going to be able to pull off this character, however. It would have been nice if they had hired an actual actress, instead of an underwear model, but whatever. I guess the jury's out on this one until we see what she does in Batman v Superman.

The inclusion of Shazam on this list is also very interesting. He's not an extremely well known character, although, speculation is that this could be the role that Dwayne "The Rock" Johnson has been hinting about, making it all the more intriguing. How they're going to pull this one off, I'm still not sure, but it will be interesting, to say the least. The fact that Shazam (or Captain Marvel as he was formerly known... although you can see where that could get really confusing, really fast!) spends half his time as 12-year-old Billy Batson (or 15-year-old, if you're going by the New 52 timeline), seems to be a waste of The Rock's talents. Another rumour has Johnson playing Black Adam, Shazam's arch-nemesis, turned member of the Justice League. Either way, it makes for an intriguing prospect.

I think the biggest surprise of this list is the exclusion of Batman. While the Caped Crusader will have a large part in Batman v Superman and will definitely be part of the Justice League, I am surprised that there are no plans for a stand-alone Batman movie, or franchise just yet. Either the WB thinks we're Batman'd out and doesn't want to compete with Nolan's Dark Knight trilogy, or this has something to do with Ben Affleck's schedule. Either way, I find it interesting that there doesn't seem to be an immediate plan for one of their most iconic characters. This leads me to believe that Affleck's Batman will be the main character in the upcoming Batman v Superman film, his character arc needing to be relatively well developed for them to move forward.

But, overall, what does this mean for the Superhero genre as a whole? Now that both Fox and Sony have also thrown their hats into the Universe building ring, are all of these comic book adaptations going to flood the overall market? By the time that 2018 rolls around, will we be so sick and tired of Superhero movies that the bottom falls out of the whole genre? I mean, if all goes to plan, then we will be getting probably somewhere between six and seven comic book movies released every year. I guess it's possible that there could be some fatigue, although I do think it's highly unlikely. With the exception of The Amazing Spiderman 2 (let's hope that Sony has learned it's lesson, although it doesn't look like it, as there is a report out that says, while they're pushing TASM 3 back to 2017, it's only so that they can shoehorn their Sinister Six movie into its 2016 release date! Did they learn nothing with TASM2?), comic book movies just keep getting better and better. The studios are raising the bar with each subsequent release. The Winter Soldier and Days of Future Past are arguably the best Superhero releases to date... moving beyond just great genre films and into the realm of great films, period. If the studios continue to release great movies, I think that audiences will continue to flock to them. The idea of solid, strategic Universes, built around characters that we have come to know and love is very appealing. As long as the end product is entertaining, what difference does it make if it's based off a comic book or not? Besides, it's very cool to see the heroes that we grew up with on the big screen, in a manner that is fitting to their stature. It's nice to be a film fan at a time where, technologically, film makers are able to bring these larger than life characters to life on the big screen, without it looking hokey or fake. These days they are able to pull images directly from the page and transport them to a movie screen near you. It really is great to be a geek!

I guess what remains to be seen is whether or not Finke's "scoop" is actually true or not. With just a little under five weeks until Comic-Con in San Diego, we don't have long to wait and see what comes of this whole thing. It will be interesting to see how on the money she was. And what else Comic-Con has in store for us. I can hardly wait!