Showing posts with label Warner Brothers. Show all posts
Showing posts with label Warner Brothers. Show all posts

Sunday, 6 July 2014

Why You SHOULD Be Watching The CW's Arrow...

With the traditional 2013-2014 TV season coming to an end (I'm still not on board with the whole new programming airing in the summer thing… although that’s not stopping me from watching FX’s The Strain next month!), it’s the perfect time to do a little binge-watching, and get caught up on those shows that you've been putting off. Of course, you could also do things like go outside and enjoy the weather or spend time with family and friends and stuff, but, seriously, who wants to do that? What you really need to be doing is catching up on The CW’s superb show, Arrow. (I'm looking at you Alex Welch and Mark Reilly!)

Now, I am a self-proclaimed Marvel fan-girl, and I make no apologies for it. I've always been drawn towards Marvel properties and usually prefer them to DC. Does this mean that I think all DC properties suck and they need to be wiped off the face of the Earth? Absolutely not! Good is good… and while I don’t cut DC/The WB a lot of slack when it comes to their movie universe, the one thing that they do extremely well is television. Both their live action and animated properties are fantastic. 

I will admit, I knew nothing about The Green Arrow before the pilot episode. What I did know, however, was that the show was based on a comic-book (which always peaks my interest) and that Stephen Amell looked pretty damn hot doing those salmon-ladder pull-ups, half naked, in the promos. How could I not watch?



Image courtesy of The CW


I'm sorry… What was I saying? I got a little distracted… hmmm, abs… Where was I again? Oh yeah… I think I remember now…

So, right from the get go, I admit, I was hooked. Having no previous knowledge of the character or his story, I found the pilot engaging and the characters extremely interesting. The episodes move swiftly along, never really stopping long enough to get bogged down by the sometimes serious subject matter. The overall story arc of the season is interspersed with stand-alone episodes, giving the heavy plot a much needed break. The show-runners do a fantastic job of seamlessly blending the current timeline with a set of flashbacks, meant to give insight and some exposition into Oliver Queen’s transformation into The Arrow. They also do a great job of preventing the story from becoming predictable. Often times, when you think they’re going to zig, they actually zag, completely throwing off the viewer’s perceptions. They also have no problem changing the game part way through or irrevocably altering the landscape. There are plenty of Easter eggs scattered throughout, as well, and many nods and introductions of other famous characters in the DC universe. You’ll actually be quite surprised by who shows up in Starling City. The action is top-notch, especially once you get to some of the later episodes in season two. The overall production value of the series is amazing, and I have to give props to The CW for allowing the show-runners to go for it. It is definitely paying off.

While I do love the show, there is one thing that I have a serious issue with. My main problem is with Katie Cassidy’s Laurel Lance. While Cassidy kicked ass as the original Ruby on The CW’s Supernatural, her Laurel Lance is a serious dud. It’s almost as if the writers had a plan for her but changed their minds part way through, and then just kind of let her character fall by the wayside. I know that in the comic books, Laurel is the Black Canary, and while I fear that that is the direction that the show is heading, I really hope that they change their minds. They have introduced other, more interesting characters into the mix and I would prefer that they explore those characters and their story arcs. But, this is really just a me thing, because I really think that, overall, this is a fantastic series.


It will definitely be interesting to see what happens with the addition of The Flash to this universe. Up until now, the series has been pretty reality based (well, as much as a TV series based on a comic book can be!), so the addition of people with “super-powers” is going to change things significantly, I think. If nothing else, it opens up the world to many other possibilities. I'm excited to see where they take us.  

Friday, 13 June 2014

Are We Headed For Superhero Over-Saturation?

So, an interesting tid-bit has emerged that involves DC and Warner Brothers and their plans to build their Cinematic Universe. The Schmoes Know broke the story yesterday, (which you can find here,) about The WB's upcoming slate of films and their potential release dates. Now, as the article states, this information hasn't been confirmed by anyone and should be taken with a grain of salt, as the source may be slightly questionable. Regardless, it makes for interesting speculation.

So, according to Nikki Finke, formerly of Deadline.com, at this years Comic-Con in San Diego, Warner Brothers and DC are set to announce the line-up of films that they have planned in regards to their Cinematic Universe. The list is as follows:

May 2016 - Batman v Superman
July 2016 - Shazam
December 2016 - Sandman
May 2017 - Justice League
July 2017 - Wonder Woman
December 2017 - Flash/Green Lantern Team Up
May 2018 - Man of Steel 2

All I can say is, holy ambitious, Batman!

First off, what strikes me about this list is the fact that DC and Warner Brothers look to be going balls to the wall in regards to this whole thing. For the foreseeable future, their plan is to release three movies a year. Apparently, they're hell-bent on making up for lost time. The report also goes on to state that the reason that BvS was pushed back a year was not, as speculated, because the WB wasn't ready to move forward with the film, but was in fact because they were still trying to get the members of the Justice League to sign on the bottom line. Apparently, the actors will be making cameo appearances in the films leading up to the big one and they wanted to make sure that everyone was on board. (I'm not exactly sure if Sandman fits into the DCU or not, as it doesn't seem like it would, but then, I don't really know a whole lot about the character and where he fits in the comic book universe, so I can't say for sure).

The second thing that stands out, is the inclusion of a Wonder Woman stand-alone film on this list. Rumour has always been that Warner Brothers was gun-shy in regards to a female-led superhero flick, even though that female superhero in question is iconic and extremely recognizable. I would love to see a Wonder Woman movie, and given how, recently, female-driven films seem to be killing it at the box office, I can understand the WB's about face in regards to this project. I still have my doubts about how well Gal Godot is going to be able to pull off this character, however. It would have been nice if they had hired an actual actress, instead of an underwear model, but whatever. I guess the jury's out on this one until we see what she does in Batman v Superman.

The inclusion of Shazam on this list is also very interesting. He's not an extremely well known character, although, speculation is that this could be the role that Dwayne "The Rock" Johnson has been hinting about, making it all the more intriguing. How they're going to pull this one off, I'm still not sure, but it will be interesting, to say the least. The fact that Shazam (or Captain Marvel as he was formerly known... although you can see where that could get really confusing, really fast!) spends half his time as 12-year-old Billy Batson (or 15-year-old, if you're going by the New 52 timeline), seems to be a waste of The Rock's talents. Another rumour has Johnson playing Black Adam, Shazam's arch-nemesis, turned member of the Justice League. Either way, it makes for an intriguing prospect.

I think the biggest surprise of this list is the exclusion of Batman. While the Caped Crusader will have a large part in Batman v Superman and will definitely be part of the Justice League, I am surprised that there are no plans for a stand-alone Batman movie, or franchise just yet. Either the WB thinks we're Batman'd out and doesn't want to compete with Nolan's Dark Knight trilogy, or this has something to do with Ben Affleck's schedule. Either way, I find it interesting that there doesn't seem to be an immediate plan for one of their most iconic characters. This leads me to believe that Affleck's Batman will be the main character in the upcoming Batman v Superman film, his character arc needing to be relatively well developed for them to move forward.

But, overall, what does this mean for the Superhero genre as a whole? Now that both Fox and Sony have also thrown their hats into the Universe building ring, are all of these comic book adaptations going to flood the overall market? By the time that 2018 rolls around, will we be so sick and tired of Superhero movies that the bottom falls out of the whole genre? I mean, if all goes to plan, then we will be getting probably somewhere between six and seven comic book movies released every year. I guess it's possible that there could be some fatigue, although I do think it's highly unlikely. With the exception of The Amazing Spiderman 2 (let's hope that Sony has learned it's lesson, although it doesn't look like it, as there is a report out that says, while they're pushing TASM 3 back to 2017, it's only so that they can shoehorn their Sinister Six movie into its 2016 release date! Did they learn nothing with TASM2?), comic book movies just keep getting better and better. The studios are raising the bar with each subsequent release. The Winter Soldier and Days of Future Past are arguably the best Superhero releases to date... moving beyond just great genre films and into the realm of great films, period. If the studios continue to release great movies, I think that audiences will continue to flock to them. The idea of solid, strategic Universes, built around characters that we have come to know and love is very appealing. As long as the end product is entertaining, what difference does it make if it's based off a comic book or not? Besides, it's very cool to see the heroes that we grew up with on the big screen, in a manner that is fitting to their stature. It's nice to be a film fan at a time where, technologically, film makers are able to bring these larger than life characters to life on the big screen, without it looking hokey or fake. These days they are able to pull images directly from the page and transport them to a movie screen near you. It really is great to be a geek!

I guess what remains to be seen is whether or not Finke's "scoop" is actually true or not. With just a little under five weeks until Comic-Con in San Diego, we don't have long to wait and see what comes of this whole thing. It will be interesting to see how on the money she was. And what else Comic-Con has in store for us. I can hardly wait!

Monday, 9 June 2014

Review: Live. Die. Repeat. Over And Over Again...

The following is a review of the new film, Edge of Tomorrow. It will definitely contain spoilers, so you have been warned. If you don't want to be spoiled, you should really turn back now, because you really need to see this movie. If, you don't care if you're spoiled, or you like to be spoiled, because you know, some people do, then please continue...


**********SPOILER ALERT!!!!!**********


Now, I am not a Tom Cruise fan. Before this weekend, I believe the last Tom Cruise film that I had seen was Tropic Thunder. Yes, it was that long ago. And honestly, until Kristian Harloff and Mark Ellis over at www.schmoesknow.com highly recommended this movie, I had no intention of seeing it. And that would have been a terrible shame.

Edge of Tomorrow, based on the Japanese novel, All You Need Is Kill, tells the story of Major William Cage (Tom Cruise), an officer of the United States Military and spokesperson for the United Defence Forces, a NATO military outfit created to fight the escalating war with the alien race known as the Mimics, who have taken refuge on the planet and are attempting to destroy the human race. Through a series of unfortunate events, Major Cage finds himself among the first wave of soldiers on the eve of battle, even though he is not a combat trained soldier. Stripped of his rank and branded a deserter, he is placed in J-Unit, a group of misfits, not really fit to be soldiers in the eyes of those higher up. Although the attack was supposed to be a covert one, somehow the enemy knows that they are coming and the soldiers are ambushed. Cage stumbles around the battlefield, watching as everyone around him is slaughtered by the aliens. Just as he's about to be killed by a Mimic, he deploys an explosive, killing both the alien and himself in the process, in a rather gruesome fashion. And then he wakes up. He finds himself once again, at the Heathrow Airport base, the day before the invasion is set to begin. He tries to explain the situation to anyone who will listen, but is written off as crazy and just trying to get out of combat. The invasion happens again, and every time he dies, the day somehow resets and he finds himself waking up on the same morning, before the invasion, over and over again. He has somehow gotten himself in a time-loop and has no idea how to get out of it. When he saves Rita Vrataski (Emily Blunt), and lets it slip that he's been here before, she tells him that when he wakes up, he needs to come and find her. It turns out that Rita knows exactly what's going on with him, as the same thing happened to her in the past. By getting doused in the Alpha Mimic's blood, Cage gained the ability to reset time. Turns out that all of the Mimic's are controlled by the time-controlling Omega and that if they can destroy it, they will be able to win the war. As the Mimic's try to locate Cage's consciousness, he will start getting visions of the Omega, giving them clues as to where to find it, so that they can destroy it. Through loop after loop, Cage and Rita get closer and closer to finding the Omega. Tired of watching her die no matter what he does to try and stop it, in one loop, Cage doesn't go to Rita at the base and instead goes in search of the Omega alone. He gets to the place in his visions, a dam in the Alps, but quickly realizes that it is a trap, as the Omega is not there and he is ambushed by an Alpha. The Alpha attempts to kill him by slowly draining his blood, therefore taking away his ability to time-jump, but he manages to drown instead, waking up the previous morning once again. Armed with the knowledge that the Mimic's are playing with them and the fact that the Alps are a dead end, Cage and Rita seek out a scientist, Dr. Carter, an expert on Mimic physiology, who may have a solution. On the authority of the UDF, he designed and created a transponder that would neurally link with the Omega, giving them it's location. The only problem is, it needs to be hooked to a live Alpha in order to work. Going on the hunch that Cage's blood, since it hold the ability to time jump, may work, they break into the UDF offices to obtain the device, this portion told through a number of off camera loops. Once they leave the building, UDF officers step in to arrest them, leading to a hectic car chase. Cage uses the transponder and discovers that the Omega is housed below the flooded Louvre in Paris. Before Rita can kill him and reset the day, their car crashes and they both blackout. Cage awakens in a military hospital, having been given a blood transfusion, wiping out his time jumping ability. He and Rita escape, determined to destroy the Omega before the invasion the following morning, in essence saving all of the soldiers about to deploy. Recruiting the soldiers in J-Unit, they head to Paris to stop this thing before it starts. Cage and Rita are the only two to survive the trip to the Louvre, and Rita eventually sacrifices herself so that Cage can destroy the Omega. As he is swimming towards it, grenades in hand, he is attacked by an Alpha. Dropping the grenades, he turns to look at the alien, showing it that he had pulled the pins before letting go. The grenades blow, destroying the Omega, which in turn destroys all of the Mimic's on the planet. As he is dying, Cage's body absorbs the Omega's blood. He awakens once again, but this time, two days before the invasion. The Omega has been destroyed and the war is virtually won. With his ranking still in tact, he finds Rita, who he has come to love. As he steps towards her, the screen fades to black.

To say that I was pleasantly surprised by this movie would be a gross understatement. A cross between Groundhog Day and any other alien invasion movie, I found myself thinking of Aliens as I watched it. Watching it gave me the same kind of feelings I get when I watch the James Cameron classic (once I was old enough to see it for the fantastic movie that it is and not let it scare the crap out of me, anymore).  And that is not a bad thing at all. It is honestly, a great sci-fi flick, with fantastic humour and great heart. Although it pulls from other science fiction tropes, it weaves them together in a surprising and pleasant way. While I'm not a fan of Tom Cruise, I liked him in this role because it was outside of the box for him. Instead of playing the macho hero, his character is actually a bit of an ass, and a huge coward to boot. I was able to see past Tom Cruise and actually see William Cage, which is what you hope for in any movie. And don't get me started on Emily Blunt. The woman is amazing! She seems to have unbelievable chemistry with everyone she works with (if you haven't seen her and Matt Damon in the Adjustment Bureau, you really need to!), and here it's no different. Rita is an incredible, strong, determined character, and it's nice to see the female lead being the one to kick ass and take names, especially in a Tom Cruise movie. The pacing of this film was fantastic too, the loops and flashbacks edited perfectly to get the right tone and feel. It is a formula that could have gone horribly wrong, but didn't because the film makers actually used it sparingly and as a way to move the story forward.

While the film as a whole is excellent, I did have a few issues with it. First off, the plot is a little thin. While the premise as a whole makes sense on paper, there are quite a few plot holes when it comes to the explanation of the whole time-loop theory. I get that it's difficult to truly explain something so complex, but you're expected to go on blind faith for most of the film, just accepting the theory that Rita and  Dr. Carter have come up with in regards to the Omega and it's link to the Mimic's. Now, it may be that, somehow, they figured all of this out while Rita was looping through time, but since we don't get to see what her experience was like, we'll never know. I have also heard rumblings about the ending being a bit of a cop-out, but on this one I disagree. While I would have been content if Cage and Rita had sacrificed themselves and stayed dead when the end credits rolled, I think that the addition of the last loop was clever. Cage's consciousness brought him back even earlier, to before everything started, but with alternate timeline already in place, the Omega destroyed. While it would have been easy for him to turn around and go on with his life, he made the decision to seek Rita out and see what happens now that the war is won. Maybe it's the romantic in me... I also really liked the fact that the film ended ambiguously, without Cage actually saying anything to her. Just a smile and a fade to black.

Overall this is an excellent, original sci-fi film, and it's unfortunate that it didn't do better at the box office in it's opening weekend. I blame the fact that it's coming off of the Tom Cruise led Oblivion, which was a disaster of epic proportions, and the terrible marketing campaign that Warner Brothers hatched for the film. The trailers that were released did not do the film justice, making it look, in part, like a sequel to Oblivion. If they had shown what a smart, witty film this actually is, I think that it might have been received better by audiences. Another mistake that Warner Brothers made was changing the title from that of the book, All You Need Is Kill, to Edge of Tomorrow. The original title was edgy and in your face, while the new title is pretty bland and generic. I don't know if a different title would have made that much difference in the long run, but I guess we'll never truly know.         

Thursday, 8 May 2014

Seriously? Is Nothing Sacred?

So, word just broke that Warner Brothers and Joel Silver are looking to reboot the Lethal Weapon franchise... or re-imagine... or re-tool... or re-make... or whatever you want to call it, and I only have one thing to say to that:

Dear God, why?

Why are Hollywood execs insisting on retreading ground that has already been covered? Everyday, news breaks about a reboot or a sequel or a prequel to some, usually 80's, property. As of right now, off the top of my head, I can think of a number of reboots that are in the works: Lethal Weapon, Point Break, Beverly Hills Cop, Power Rangers, Dirty Dancing, Flash Gordon, Police Academy, Scarface, Terminator... and then of course there are the ones that have already been released: Robocop, Dredd, Total Recall, Footloose... The list goes on and on and on...

It's getting to the point of ridiculousness. So, please, Hollywood... Please, just STOP ALREADY!!!!

I get it, it's easy to get behind something that already has brand recognition going for it. It's way easier to market something that is already identifiable to part of the market, and throwing in the nostalgic factor is just icing on the cake. And I understand wanting to bring these stories and characters to life for a generation that may not know who or what they are. To that last one I say, isn't that the point of DVD and Blu-Ray? I don't know that I want an entire generation of people not knowing the pain and heartache, with a little side of crazy, that Mel Gibson brought to the character of Martin Rigg's. Of not falling in love with Patrick Swayze's Johnny Castle as he swept Baby off her feet in the Catskills in 1963. Of not witnessing the beauty of Kathryn Bigelow's foray into surfing and the genius of casting Keanu Reeves and Patrick Swayze against type.

There are so many talented writers and directors out there, with their own stories and visions to tell, that it's a shame when we get recycled crap thrown at us because the big Hollywood execs think that that's what we want to see. It's lazy and disappointing on so many levels. There are thousands of scripts out there, just waiting to land across the desk of someone that matters in the business. It drives me crazy when, instead of taking a chance, they turn to something that doesn't make a whole lot of sense, other than the fact that it's easy.

Now, don't get me wrong. I understand that reboots and remakes make sense, in certain circumstances, and that some great movies have been remakes of previous films. It's just that, it seems like everywhere you turn, Hollywood is trying to cash in on the "nostalgia" factor and is rebooting things left, right and centre, with little or no regard to the actual property itself. Or the market place today. It was successful 30 years ago, so why wouldn't it be successful now? The list of reasons would be far too long for this little blog to handle... And it's that short-sightedness that is dooming them to fail miserably.

They say that Hollywood has "run out of ideas". To that I say, bull-shit. There's no such thing as "out of ideas" when you're dealing with art... and make no mistake about it, writing is an art form. There's a lot that goes into telling a good story, whether it be through prose, a screenplay or a novel, and it takes a great deal of time, effort and courage to actually get to a place where you can say you're finished and it's ready for public scrutiny and consumption. (I should know, I finished my first novel a few weeks ago, and I'm still not at a place where I am ready for anyone else to read it!). The fact that these stories don't get any consideration, get turned aside or ignored as studios rush to try and recreate magic from decades ago is really frustrating. If they just opened their eyes, and their minds, to what is in front of them, they would be able to see the possibilities that they already hold. Instead of trying to create new magical moments, however, they are choosing to try and relive their glory days. Like that middle aged guy, with the beer gut and receding hairline, who talks about nothing but his triumphs on the football field decades ago...

It's time to grow up, Hollywood, and leave the past in the past. Embrace the opportunity to build something new, make something fresh and original. You never really know when magic is going to happen, but I can tell you one thing, it won't happen if you don't believe in it.

So, I beg of you... stop shelling out the $12 to go and see these abominations in the theatre, making the Hollywood bigwigs think that this is actually what we want to see them spend their resources on. Pop in a DVD or cue them up on demand instead. Watch them just as they are, and enjoy them like you did the first time that you saw them. The really good ones hold up against the passage of time... and even if they don't, appreciate them for what they are. And remember, at one time, they were the new and fresh ideas that we, as film fans, are clamouring for today.